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DTSTART:19810329T020000
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UID:news339@chemie.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20220404T124841
DTSTART;TZID=Europe/Zurich:20220505T170000
SUMMARY: Chemistry in Art\, Art in Chemistry\, and the spiritual ground the
 y share (Dreyfus Lecture)
DESCRIPTION:Chemistry is an essential tool for making art. We will begin by
  looking at the evolution of pigments\, from the Ishtar Gate to Prussian b
 lue and modern pigments. And at photography\, a very chemical enabling too
 l for artists.\\r\\nThen we will turn to art in chemistry. The pages of my
  articles\, those of my colleagues\, are filled with drawings of molecules
 . From a certain reality\, the creators of these drawings try to abstract 
 the essence. As in art\, significant formal considerations – the relatio
 nship of the parts of a molecule to its whole\; symmetry and asymmetry –
  are essential.\\r\\nOn to the spiritual ground\, I will discuss what attr
 acts artists to alchemy\, and how alchemical goals resonate in modern chem
 istry. And then take a wild leap to modern times\, by posing a question th
 at at first sight seems absurd: Is there an analogue in science to abstrac
 t art? We’ll explore chemical analogues to abstraction\, for instance co
 ncentrating on one component of the artistic whole\, and also look at the 
 way modern chemistry gives the aleatory its due. I will work against the c
 aricature of abstract art and science as ... cold. In chemistry and art bo
 th\, we create and discover meaning.\\r\\nCamille & Henry Dreyfus Lectures
 hip In memory of the Dreyfus brothers\, the Camille and Henry Dreyfus Foun
 dation Inc. has established the Camille & Henry Dreyfus Lectureship at the
  University of Basel [t3://page?uid=1337]. The annual Lectureship brings a
  leading chemist from the United States to the Basel campus to deliver a s
 eries of talks\, and to meet with faculty and students in order to enhance
  the relationship between Swiss and U.S. science.
X-ALT-DESC:<p>Chemistry is an essential tool for making art. We will begin 
 by looking at the evolution of pigments\, from the Ishtar Gate to Prussian
  blue and modern pigments. And at photography\, a very chemical enabling t
 ool for artists.</p>\n<p>Then we will turn to art in chemistry. The pages 
 of my articles\, those of my colleagues\, are filled with drawings of mole
 cules. From a certain reality\, the creators of these drawings try to abst
 ract the essence. As in art\, significant formal considerations – the re
 lationship of the parts of a molecule to its whole\; symmetry and asymmetr
 y – are essential.</p>\n<p>On to the spiritual ground\, I will discuss w
 hat attracts artists to alchemy\, and how alchemical goals resonate in mod
 ern chemistry. And then take a wild leap to modern times\, by posing a que
 stion that at first sight seems absurd: Is there an analogue in science to
  abstract art? We’ll explore chemical analogues to abstraction\, for ins
 tance concentrating on one component of the artistic whole\, and also look
  at the way modern chemistry gives the aleatory its due. I will work again
 st the caricature of abstract art and science as ... cold. In chemistry an
 d art both\, we create and discover meaning.</p>\n<p><strong>Camille &amp\
 ; Henry Dreyfus Lectureship</strong><br /> In memory of the Dreyfus brothe
 rs\, the Camille and Henry Dreyfus Foundation Inc. has established the <a 
 href="t3://page?uid=1337">Camille &amp\; Henry Dreyfus Lectureship at the 
 University of Basel</a>. The annual Lectureship brings a leading chemist f
 rom the United States to the Basel campus to deliver a series of talks\, a
 nd to meet with faculty and students in order to enhance the relationship 
 between Swiss and U.S. science.</p>
DTEND;TZID=Europe/Zurich:20220505T183000
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